
Sunday, December 18, 2011
post-note on Becoming a Man
"I read your new instalment. From understanding your previous background, and reading your new thoughts, I do not think the problem is weight or winter, or infact a new style of fashion, and looking at you from a guys point of view, you dont look like a lesbian either, I also cut my hair because I know I'm going to like it, everyone has down days, I look at myself and think im disgusting, but there's some element of enjoyment I get from knowing I look good in skinny jeans
You're not fat
And try not to feel rubbish about being single either,
Be happy with yourself first
Boys smell
And most of them have one track minds"
It's incredibly sweet to know that people do read these, even the ones I know are rubbish pieces of writing.
However I'd just like to highlight something:
I do make jokes and self-digs about it, but I'm incredibly lucky to be single. Right now the whole scene isn't for me. The idea of referring to someone as my 'boyfriend' makes me feel a bit physically sick and I quite honestly feel sorry for most of my friends who are in relationships. Maybe that's just cynicism at a whole new level of bitterness.
What I do really need though is a food buddy. Like a fuck buddy, but with no fucking, ever. Only food - because the other day I realized it's impossible to buy food for only one person, and I need a platonic buddy to eat my leftovers, maybe afterwards we could cuddle and watch Mock The Week, but saying that, I'd rather be by myself or not at home at all...
So that's that. I put some lipstick on and decided I'd get a new 'weave'. I've cheered up a considerable bit and I'm going to watch something funny until I fall asleep.
The world is back as it should be.
In true self-redemption style, I feel the need to list 5 good things about the past week:
1 - Outstandingly awesome assessment of the 6-week art project I'd just completed
2 - Managing to get home alive on Thursday night
3 - My hilarious co-workers
4 - Those little girls at dinner, because actually, sometimes being mistaken for a lesbian is pretty amusing
5 - Amazing Thai food with my mother and the realization that mixed seafood is a terrible idea (life lesson, check!)
Becoming a Man
Perhaps the worst part is that it's not the first time this week something like this has happened to me. I dyed my hair brown and stupidly cut it myself earlier this week, and one of the first responses was "Do you look like a boy now?"
A few nights later another friend remarked, to myself and a different female friend, "I can see you two being in a relationship. But you [Kat] would definitely be the butch."
I have got to admit, this has been a long time coming. Since the summer I've been single, which means I've had no male set of 'ideals' to live to; so I've been drinking cider and eating chips like there's no tomorrow. (Not that I've ever liked those ideals anyway, so I'm bloody thankful for that.) I have also taken to wearing elbow patches and shapeless clothing, although I think winter is partly to blame for that one. In short, I look like shite, and apparently, a lesbian. Not that I have anything whatsoever against lesbians, but since I'm straight it's not something I like to give off.
The end of a year is always a time when we plan to make changes about who we would like to be in the new year, but I think a few of my changes need to be enforced sooner.
I need to lose some weight. In the past I've been an absolute waif, or I've been how I am now. I've never managed to maintain an in-between stage but I can imagine it would look more feminine, despite my biological lack of boobs.
I need to stop cutting my own hair. That's always a bloody stupid idea.
I need to dress like a woman, rather than keeping up my new careless and androgynous approach to clothing.
Writing this is getting even more depressing now, so I'm going to stop.
There's little to nothing I can think of to save this blog from the self-pitying whiny writings I have complained about in the past.
But if anyone knows a personal trainer or dietician or stylist they could send my way, I'd appreciate it.
More positive writings soon, I hope.
Tuesday, December 13, 2011
Man up, England.
Monday, December 12, 2011
evaluating on an empty stomach...
I believe that the ‘Human Form’ project has been a pivotal point in my art practice so far. Writing at the end of the project, though not necessarily finished with concepts and certain pieces, I can say that there is still the mixed-media element seen within my previous ‘Collections’ project, though my interests are far more evident and I have pushed them further.
My approach to this brief began near the end of ‘Collections’ as my friends and I had been discussing this slightly philosophical matter over our pints and lunches – “Would you rather be blind or deaf?” That was my starting point because I started to imagine myself in the position of people who are physically disabled, and in the past I have only explored mental health and lifestyle in terms of personal differences to others. Over the project I became sensitive to the use of derogatory slang terms such as ‘flid’ after I’d read some articles about Thalidomide, which isn’t a funny matter at all. I think that when a project can tap in to your life on these emotional levels it’s definitely an exciting one. In response to “Would you rather be blind or deaf?” I filmed a social experiment where I asked 8 girls to walk around the drama studio, blindfolded, for about 5 minutes. The aim was to watch out for behaviour patterns and it was incredibly insightful, though the video itself wasn’t great quality so I didn’t use it any further. Within my sketchbook this project only surfaces towards the middle.
After the filming I took a step back because I didn’t want to become too focussed so early in the brief. A visit to the Tate Modern clarified to me just how vast an exploration of ‘the Human Form’ could be if I didn’t refine it in some way eventually – so many artists across the ages study nudes, from Caravaggio to Ron Mueck to Francis Bacon, and they all execute this interest in a way so different to each other.
At college we were asked to make these large tracings of our bodies then develop them with mark-making or printing. I found this quite unappealing but tracing my body took 5 sheets of A1 paper and there wasn’t a chance I’d let them go to waste. The start of my sketchbook sees some experimentation with this line drawing of me – photographs of me next to it, almost like a crime scene or an idea of moving through time. My body shape has been roughly like that for over a year and I have kept all the A1 sheets in case I ever fancy comparing myself to it again. Translation between collage, drawing and digital media ensued.
We had compulsory metalwork and sculpture workshops. At the beginning I wasn’t particularly interested by either, but the encouragement and ideas I received from the tutors prompted some interesting work and a new passion for working in 3D.
I looked at the work of Henry Moore, Jenny Saville, Francis Bacon, Kienholz and Tracy Emin to assess how other artists approach work regarding the human form. However the most interesting and relevant studies were of Frida Kahlo (who I had never studied before) and Gillian Wearing’s ‘Homage to the woman with the bandaged face who I saw yesterday down Walworth Road. Kahlo’s art seemed, to me, quite similar in ways to that of Tracy Emin, as they both deal with the painful and unattractive truths of womanhood within their art. However Kahlo is arguably a more traditional artist as her work was all 2D, whereas Emin, part of the Young British Artists, blurs dimensions and media. This may account for some of the stigma against Emin’s art – the combination of her brutal honesty and non-traditional artistic approach and I still believe that her art receives more negativity than necessary, but that’s a whole essay topic I could dive in to there. Gillian Wearing is also part of the Young British Artists and the video I studied is something I’d consider to be conceptual art. It exists now as a series of stills and interviews about the video and her inspiration for it, and the motivations behind the video are the most interesting part of the work.
After that my sketchbook explores the blindfolded experiment and video that I had made, as well as the transcript from that. The audio of the video is more exciting than the visual occurrences and I did hope to use the transcript at some point, though I never decided how. I don’t believe that I’m done with that yet; regardless when I pick it up again it remains unfinished. I find it far too interesting to abandon. The audio provides some kind of voyeurism - without the accompanying video footage could be rather disturbing, as the laughter within it seems to disguise insecurity and panic.
Further metal and sculpture workshops inspired an idea for a wax sculpture which I would film melting. I still believe that’s a great idea, but I didn’t execute it correctly as my knowledge of the materials was insufficient and my video was too grainy and the camera too amateur for attractive results. But I still have the cast that I moulded the wax work in, so I could revisit this with a better video camera and knowledge of how to melt the sculpture, however it may be something I put aside now.
I set out to film a paper chain made from one of my life drawings, several short clips in three different locations on my way to college. Fortunately I had a friend’s good video camera with me so the quality is better than the other videos I made. This video explores the idea of agility and fragility in every person – the fluttering of the man in the wind reflects the younger and freer body, but the use of paper as a material suggests how easily we can become physically broken, especially in older age. The movement in the film is interesting, but 12 minutes of fluttering would have been rather dull and incomplete. A side project had developed an interest in audio work so I bought a Dictaphone and started interviewing people about their bodies, especially their fears of age and experiences of growing so far. So far I have only interviewed 3 females of 17, 19 and around 40 years old, and I am more interested in the responses of mature adults. I plan to collect more responses and then slice the audio up (partly for anonymity) keeping the words and phrases I find interesting and relevant to the themes within the video. Parts will be played over other parts. Fortunately I have friends who are savvy with audio technology so I will be receiving guidance for this - so far confusion has prevented me from starting the audio work, I have no idea what software I’d use or how I’d use it. The audio work will be played over the moving images and I’m hoping to put this piece of finished work in my portfolio as a successful piece of intermedia art since that’s where my interests are heading.
This project has been quite experimental for me, I’ve explored things I hadn’t thought about before and I’ve taken risks. It’s been quite concept based but that’s when I can really sink my teeth into a project. It’s been my first attempt at using time based media and I hope to improve these skills and use them in future projects.
Friday, December 09, 2011
Look, I don't mean to complain, but...
- The mind-blowingly awesome bacon and chicken sandwich I ate today.
- The lovely Monday night at the pub with Amy, followed by late night McDonalds and in-bed comedy shows.
- The discovery of Australian comedian Steve Hughes who has provided me with several laughs.
- The absolutely beyond incredible early Christmas present on Wednesday (and I hope you're reading this - thank you.)
- The people who have listened to me complain, even if it was just a little bit, for resisting the urge to slap me across the face. I love you guys. And it is only fair that I grant you minor slapping permission.
Tuesday, December 06, 2011

Saturday, December 03, 2011
More Reasons To Hate Social Networking
Do you have strong feelings about the behaviour of an individual? Fair enough if it's David Cameron. Write as many pissed off things as you like about him - because he can't see them, and he wouldn't care even if he did. Social Networking can too easily utilise indirect bullying. That might sound extreme - but how many girls have you ever seen write something like "You're pathetic", "I love how hypocritical you are", so on and so forth. There is a pattern: it will address a specific event or individual, use the word "you" and it will be written by a girl. When have you ever seen a guy try to sort out his emotional issues on the internet? (Besides Charlie Sheen in early 2011! Here's an ellipsis while you try to think about it)... probably never, though it depends somewhat on your calibre of male contact. Girls, please, if somebody has upset you enough for you to be spitting venom about them online, you should probably address the issue with that person. Save people a lot of sad, nail-biting "But does she mean me?" moments.
This actually leads on from 8. Most of these brilliant 'D' inclusive relationships are going to take a U-turn. Why? Because if you were honestly happy in your relationship you'd have been busy enjoying that person's company, not Tweeting about it. Duh. Regardless of this fact (because you'll never realize it for yourself) your Facebook Friends/Twitter followers will be able to enjoy inspiring nuggets such as "the world is only going to screw you over" or "I don't know why I get out of bed some days"... OH GOD, CHEER UP! If you're so gutted then go to see a counciller, go get some Citalopram, write a diary, buy a punchbag, sleep with someone who's going to degrade you completely, drink until you're blind. I don't mean it's wrong to write the occasional upset or annoyed sentiment, but if it's everything you're writing you probably have a problem. If every single miserable update we read inspired great pity or sympathy we'd never get anything done besides writing motivational comments for people who really just need a bit of fresh air and a slab of cake.