Tuesday, October 09, 2012

Real/Imagined

Tonight on Twitter I stumbled across an interesting article from The Daily Beast.

Allow me to jump backwards in time.  My last blog was about struggling to find a pathway within my Fine Art degree and fortunately I stayed on XD, which, as I understand it, puts more emphasis on the concept behind a work than the execution of work itself.  Earlier this week we had a lecture called 'What Can Drawing Be?' which, for a non-drawing artist like myself, was liberating.  We were shown that drawing can be as simple as a man pushing a block of ice across the street, leaving a temporary mark on the pavement, or as imaginative as a woman recalling her marriage through several illustrations depicting sex, sleeping, drinking, walking down the street, words woven into the narrative in the image.

Forward in time again.  This article is entitled 'Patients Draw Near-Death Experiences.'  There are 8 in this series.  A short narrative and context is given, accompanied by a drawing by the person who has had the experience.  The ages of these individuals varies from as young as infanthood, 6 years old, 20 years old, and adulthood.  I sent the link to my boyfriend, who shares an interest in the paranormal, and he raised a very valid point: "I like the kids ones best, they're more believable."  It's true.  By about the age of ten you could have seen films, documentaries or even just engaged in conversations about these scarier matters and chosen to lie about it.  My personal favourite of the series is a six year old who:
"Recalls an out-of-body experience where he fruitlessly swiped at his father with a phantom's arm and yelled at his older brother to play with him (his brother told his parents he could hear Scott's voice at the time of the accident). Then he says he was whisked down a dark ‘wind tunnel’ that took him to a monstrous mass of rotting flesh he calls the Devil. The Devil (at left, drawn by Scott shortly after the accident, and at right, redrawn five years later) accused him of being bad and threatened to keep him forever."

The accompanying drawings are simple, but they are honest and unfabricated and to the point.  The stories require no Renaissance sketch to be viable and interesting.

When I first arrived in Halls I was having very vivid, fictitious and downright scary dreams.  I would send a text immediately about the dream as I woke so as to remember it, and in one I wrote of a "fantasy world with evil religious undertones."  I remember the dream - I had to fly over Halls selling tickets for a Freshers clubbing event, and landed in another world keen to speak to a shrouded religious woman who, upon arrival, told me she was done for the night and I had to leave.
One night I walked to a pub with some friends and told a painting student that I'd keep a dream diary for him in case he fancied making any Dali-esque dream paintings.  Since then, I have had no dreams.


Tonight I joked that I had stopped dreaming because "the dream Gods know that I want to write about them, and they feel that I am making a mockery of them."  Despite my previous blog on tarot I must state that on the whole, I am not superstitious, nor do I have any mad belief systems.  I do, however, believe in the mind.

By now you might have noticed that this article has influenced my conversations for a lot of the evening.  I asked my friends in the pub whether they had very vivid dreams as children and they both revealed recurring dreams which, to them, make little sense.  A flatmate told me that she had the same dream as a child - that her mother left her in a pushchair in church.  Another flatmate told me that she has had recurring dreams for a long time, and she feels that the dreams come as she tries to avoid them.  She was so perplexed by this dream that she bought a book about dreams which suggested that dreams are due to "not actively handling issues in the active life," hence having to refer to these issues in less conscious states.

My boyfriend has been telling me about the same dream for the last seven months.  He dreams of tsunamis.
Megan reveals a similar dream:



Now, I'm starting to feel a bit left out here.  I have never had a recurring dream.  They are equally as fucked up, but they come individually every time with their own lessons to teach.  Often if I dream of a place I see it in my mind all day like a desktop background - every time my mind returns to an original and disengaged state I see a street or room I have been sat in the night before.  That's all.

As a child I had this one dream which I still cannot make heads or tails of.  My Glaswegian (it's a part of Scotland) mother read me a bedtime rhyme when I was younger.  You may know it.

"Wee Willie Winkie rins through the toon,
Up stairs an' doon stairs in his nicht-gown,
Tirlin' at the window, crying at the lock,
"Are the weans in their bed, for it's now ten o'clock?""

For those of you who cannot understand Scottish speech (I bet you gave up on Trainspotting as well) it's about this character running around checking through windows and door-holes to see whether the kids are in bed on time.  Personally I found it traumatic.  Who wants some strange guy coming and looking at you when you're trying to catch some Zzz's?  The pressure to perform to Wee Willie Winkie's early bedtime standards was unkind.

This dream I had must have taken place before the age of 5.  In the dream I am in my bedroom before we moved to Dublin (when we returned my sister got the smallest room, on account of being at University) and I must have fallen out of bed as I am wrapped in my duvet, afraid on the floor.  I had a crippling fear of the dark as a child and my parents would leave the door open and the landing light on for me, until they went to bed.  As I stare towards the lit door a very tall man puts his head around the door and looks straight at me... and then he leaves.  Now, I have asked my dad about this on a number of occasions as I have grown up.  "Did you ever find me on the floor when I woke up in the morning?" and "Did you ever look right at me but leave me there?"  The answer was no.  Also, my dad isn't a particularly tall man, but I remember this individual crouching so as to get his head in the door frame.  Maybe it's just a very vivid dream from a child with an overactive imagination, but very few memories from my childhood stick out this much.

Let's leave the dreaming stuff for a bit, but perhaps not entirely.  

I have a very special gift of being able to fall asleep in public spaces.  Yet when my mobile phone was stolen from my lap as I napped on the bus, I would probably rather have called it a curse.  Despite my best efforts to remain conscious  I tend to slip away on public transport, in lectures, and even (embarrassingly) on bar counters.  In these places I have quite situational dreams.
The other week I was on a bus tour with fellow 'Starting at UAL' blogger Irina and managed to doze off despite the wind on the open deck.  In my conscious state I had been irritated by the non-smoking signs, even though we were technically in an open space.  When I had slipped out I dreamt that I was having a cigarette in the open, but gradually descended onto the underground and panicked about smoking down there.  As I returned to consciousness I saw the head of the man in front and lingered in this fear that he would tell me off.
Last Friday I had my first lecture.  Despite Lewis' best efforts of nudging me every time my head drooped, I slipped into a dream state.  I could hear the lecturer talking about an artist, but in my head he was showing us a lumpy jar of jelly.  In this state I thought "God, how cool, a serious artist making jelly as her work."  I may now have to pursue it as a concept, since the artist he was talking about did something far more mundane than jelly sculptures.  Shame - I would have stayed awake for that.

By the walk home tonight I had realized I wanted to write this blog.  A friend I was with at the time has a Freud book on dreams in their room, but they picked something up from reception and I was too desperate to write to wait for them.  Fortunately I remembered a book entitled "50 Psychology Ideas You Really Need To Know" which has been on my shelf for about a month, and found the "Illusion and Reality" section.  I am particularly interested by what they write about hallucinations.

Hallucination: "to dream" and "to be distraught," derived from the Latin 'alucinari' "to wander in mind."

And maybe more on that later.
Bored y'all enough for tonight.

Lack of structure King B.

Thursday, October 04, 2012

Hello stranger

It has been apparent to me that I had not written on Pondering for some time now.  Let me fill you in on the last month of my life.

On the 8th of September I moved to London.  I live in student accommodation in Tufnell Park, in the North of London (about two stops up on the Northern Line from Camden Town.)
You can see some posts and photos about those first few weeks on the Starting at UAL Tumblr I was contributing to.  My posts are identifiable by the icon to the left showing a girl clutching a pint of cider.  Standard.  Jeremy and Irina wrote interesting pieces about their move too.

But just in case you're too lazy to look, here are some images which summarize my first few weeks here.



(Olympic closing parade, Charing Cross)

(Sushi in Chinatown)

(Mae West Lips sofa, The Sanderson, London)

(Saatchi Gallery)




(Lewis and Harriet catch a mouse)


(My embarrassing note from Rick Edwards... thanks George)


That should suffice.

This Monday I started my BA Fine Art degree at Central Saint Martins.  During a tour of the Kings Cross building when I applied, I was given a booklet of postcards.  One of them read "EAT IT, SLEEP IT, PLAY IT, LIVE IT."  I stuck it to my wall until the move and it is now on my pinboard.

(CSM Kings Cross site)

It feels as if life has never changed so quickly before.
Last week I started complaining that I was living here, in London, in University halls, with a loan for education I'd not actually started yet.  It was guilt inducing and surreal.
For the last 4 days I have indeed eaten, slept, played and lived art.

On Monday we were given a short lecture and moved into our allocated degree 'pathways.'  I always wrote in my personal statement that I wanted to join a community of likeminded individuals (artists) and actually doing so has been incredible.  We finished for the day at about half 4, I popped home for some cereal and went to Holburn with my friend for a ballet society taster session.  On my way there and home I did some filming, and spent my night making about 87 stills from one of the 30 minute videos.  That took until about 3am.

Tuesday was our introduction to our Byam Shaw studios in Archway.  During stage 1 it seems that we will generally be using Kings Cross for lectures and workshops.  Byam Shaw is a smaller and more intimate building.  We spent the morning touring the place, because I say small, but it's kind of a maze at first.  The afternoon was spent in groups making performance art about another art piece submitted on A4 by another student - trying to interpret their intentions without any materials besides ourselves.  In a group of 4 my group played a huge printer.  I told my boyfriend about this, and he said that if you didn't know we were Fine Artists it would sound like we were at primary school... it's unfortunate but true.
The pathway I have been initially allocated to is referred to as XD.  However, it is oversubscribed and we were told that diagnostic pathway crits would be held in an attempt to thin out the group and put people who might be better suited to another pathway.  Everybody initially thought that XD meant spanning every media (as opposed to 2D painting/photography/drawing, 3D sculpture, 4D video/installation/sound/performance) but it turns out we were only half right.  The understanding I have of XD is that whilst you may span across media, it's about concepts being potentially more important than artistic execution; collaborating with other artists; and site specific work, eg. putting your sculpture on the street instead of in a gallery.  I had Tuesday evening and Wednesday to prepare for this meeting and really pitch why I need to be in XD, rather than 2D, where I had first been placed.

There's a guy called Lewis in my halls and on my course (and in one of the photos up there with the mouse trap) who I'd been planning a collaboration with.  We spent a good 4 hours on Tuesday night writing a proposal for this collaboration and making some tests for it.... as well as occasionally going on YouTube to watch Goldsmiths: But Is It Art? and Nicki Minaj videos.  It ended up about a page and a half and it's a bloody thorough explanation.  I will begin looking into copyrighting, as it has received some interest from others collaborators and I must ensure that every artist is given equal credit.  But it's very exciting... if you're an artist.  11pm finish, 1am realizing I was done for the night, 2am bedtime, 2 night playlists before I nodded off.  Ho hum.

Wednesday saw a morning of rehearsing and showing performance art in groups again, and a lunchtime hanging out with other XD students chatting about art, mostly.  I went home, finished preparing stuff for my meeting, then flew out the door to get to Tate Britain for a talk by Spartacus Chetwynd who has been shortlisted for this year's Turner Prize.  Half way through the talk I realized I was scowling, despite her fun and totally unconventional talk.  Mainly because I was frantically scribbling notes so that I could write an essay about her.  Being in education after a summer off is very odd.  I feel like if I'm paying £9k then I'm going to get every penny from a £6 talk and crack out some work from it.  After all, it's two boob jobs worth of cash.
After getting soaked walking from Tate Britain to Pimlico, we got back at about 9pm.  I made my first microwave meal in my time here, and spent the evening typing up my notes so that they made sense later.  One of my favourite bits of the talk, in my notes, is:

"Chetwynd has been stressing that the subject matter of her art is “fun.”  She recalls studying at Slade and being asked by a professor “What is your subject matter?”  She didn't know, and he wouldn't let her use the painting workshops on account of it.  10 years later at an interview for the British School in Rome, he was one of five panelists she showed her work to.  Mortified, she describes avoiding him, imagining he wasn't there, as she shows the panel her paintings.  He eventually exclaims “I know what your subject matter is!  It’s ‘fun’!”  Until then she hasn't realized this herself, and responds; “And is that something with which you are familiar?”"

This morning I had my diagnostic group meeting/crit/I can't even decide what it's called, and I'll find out for sure whether I've been moved again hopefully by Monday.  Keep your fingers crossed for me.

Tonight I had a choice between the first Yoga society class or an event in Holloway called "Welcome to Meeksville" which CSM have had some involvement in organizing.  I was almost going to let yoga win, until I remembered something a tutor at college had told me about going to CSM - "You're going to be invited to a lot of [art] parties, and you must absolutely attend them.  Your degree is important, but that's as important."  So tonight art wins again.

9:30am lecture tomorrow, but I hope to be finished by 4pm or so... it's Late at Tate tomorrow night, but I think I ought to give myself a night off.  I'm going to try cooking a fish lasagna (yes, I know it sounds weird)  and watch some films with my boyfriend.  At the most demanding, maybe we'll walk to Kentish Town for some drinks in this nice little cocktail bar... but I've got a bottle of Absolut in the fridge and he used to work in a better bar, so I'm pretty sure that won't need to happen.


So I've got this far and now I don't even know who I was writing this for.  I guess it was for me - an icebreaker with Pondering.  It's been so long, there was a large gap to fill and a lot that I wanted to summarise for friends and family so that I can stop repeating information.  I apologize profusely if you believe the post belongs in an email to people who give a shit.

I do have plans to return to Pondering though.  
  • Now that I live in London I don't eat in chain restaurants since there are so many interesting, well decorated and soulful spots about.  Having also bought into the Instagram thing, I tend to photograph my food when it arrives... hey, I'm paying London prices for it and I'm a fast eater, let me immortalize it somehow.  For a while I've been talking about food reviews, and the food society first meeting is on Saturday, I'm hoping to get involved with that.
  • Women in London are very well dressed.  I noticed a big need to step my game up when I got here, though I've not bought any new clothes yet.  On my walk to studios this morning I thought about photographing my outfit every day to post weekly, in an attempt to look as good as possible when I leave each morning... it's a bit LookBook and fashion student-y, which isn't really me and never has been, but maybe I'll give it a go.  Even though it's only for documentation purposes... and for my family to look at when they miss my face and telling me that my skirts are too short.
  • I'll be going to a lot more galleries, artist talks and art events, which I should be reviewing and reflecting on as much as possible.  Turner Prize started on Tuesday and though I went to the talk I've never even seen Chetwynd's work, so I'm looking forward to writing about it when I have.  I'll probably share these here, even though I don't always need to.
  • General reflections.  My best blogs have always been about random topics I found interesting or sharing cynical rants.
I need to write to stay sane.  Since moving here I can't remember a night I haven't emailed my dad before bed.

If you made it this far, you deserve a cookie.

Here's a miserable looking photo, just so you know I'm the same grumpy bitch as ever, just a bit strung out and boring from the last week.




Ta-ra for now.